Monday, May 25, 2009
Most Popular Herbs and Supplements
The use of complementary and alternative medicine (CAM) in the United States continues to expand in 2009. This growth can easily be seen in the current use of herbs and supplements -- sales of glucosamine and chondroitin, supplements used commonly for osteoarthritis, were $288 million dollars last year, and sales of ginkgo, a herb taken to improve blood flow to the brain in conditions where blood flow is insufficient, reached $147 million dollars. Ginkgo also aids is better memory and clarity.
What are these herbs and supplements being used for? Chronic conditions that are difficult to treat or manage with conventional medicine, such as mood disorders, heart disease, arthritis, women's health conditions, and digestive disorders. Below please note, that 3 of the ten most popular herbs are for aid with pre-menopause, menopause or post-menopause. Diet, appropriate rest and exercise is key to the supplements.
It would be interesting to know how many of these products were self-prescribed and how many were recommended by a health practitioner. Consultation with a health practitioner before taking herbs and supplements is always recommended in order to avoid adverse side effects and drug interactions. The other side of this argument is that there are 100,000 misdiagnosed illnesses per year by medical professionals that end up in death and another 100,000 deaths causes by malpractice in hospitals each year. The bottom line is each of us are responsible for our own health.
Top Herbs in the United States
Herb $Millions Condition Commonly Used In
Ginkgo biloba 147 Increase brain blood flow, prevent dementia, improve memory
St. John's Wort 104 Mild to moderate depression
Ginseng 84 Fatigue and weakness
Garlic 77 High cholesterol
Echinacea 72 Colds and respiratory infection
Saw palmetto 45 Prostate conditions
Kava kava 18 Anxiety and stress
Soy 18 Menopause
Valerian 10 Anxiety
Evening primrose 9 Inflammation, premenstrual syndrome (PMS), menopause, immune disorders
Grape seed 8 Allergies, antioxidant
Milk thistle 8 Liver disease, protects the liver
Bilberry 6 Eye disorders
Black cohosh 6 Menopause, PMS, menstrual disorders
Pycnogenol 5 Antioxidant
Ginger 2 Nausea, poor digestion
Top Supplements in the United States
Supplement $Mil Condition Commonly Used In
Glucosamine 288 Osteoarthritis
Chrondroiton
CoQ-10 41 Heart disease, muscle disorders, antioxidant
Melatonin 31 Insomnia, antioxidant
Amino Acids 21 To increase muscle mass
Fish Oil 14 high blood pressure, high cholesterol, inflammatory disease
Fatty Oils
DHEA 11 To slow conditions associated with aging
Acidophilus 11 Poor digestion, prevent bacterial overgrowth in the intestines
Lecithin 10 High cholesterol
Gelatin 8 Food supplement
Glucose 7 Food supplement, form of sugar
Shark cartilage 6 Arthritis, cancer
This is just one installment on herbs and supplements for 2009. Some of you, have asked me recently about popular herbs and supplements and there uses, so this is a brief overview. Please research these supplements for yourself and read book such as "Prescription for Nutritional Healing" ...and the like.
Feedback!
Yve
Tuesday, May 19, 2009
Conversation with Rebecca
As in the word community, there are two words represented. One being commune and the other being unity.
Saturday, December 6, 2008
4 Christmas Carols for you
This article is a continuation of a thought discussed with Pastors and ministers/ by Bishop Jim Earl Swilley on December 3, 2008 at Body Builders at the Church in the Now.
He focused on the 4 major popular Christmas movies by comparing them with each other to show us the epiphanies we discover when we allow ourselves to examine our past, present and future. I took the liberty of researching the most famous popular movies and pulling over information for the on-line encyclopedia to give you a well rounded over-veiw of these movies and the lessons they bring to us every year.’
The first discussion will be featured actor James Stewart and It's a Wonderful Life is a 1946 American film produced and directed by Frank Capra and loosely based on the short story "The Greatest Gift" written by Philip Van Doren Stern.
The film takes place in the fictional town of Bedford Falls shortly after World War II and stars James Stewart as George Bailey, a man whose imminent suicide on Christmas Eve gains the attention of his guardian angel, Clarence Odbody (Henry Travers) who is sent to help him in his hour of need. Much of the film is told through flashbacks spanning George's entire life and narrated by Franklin and Joseph, unseen Angels who are preparing Clarence for his mission to save George. Through these flashbacks we see all the people whose lives have been touched by George and the difference he has made to the community in which he lives.
The film is regarded as a classic and is a staple of Christmas television around the world and the spirtitual lesson learned in this movie was much like what Dorothy from the Wizard of Oz learned which was your true happiness and joy is going to come from your community, your friends and within yourself. George Bailey learned that his life truly did make a difference to his town (Bedford Falls), his wife otherwise she would have ended up an unhappy spinster, his brother because George saved his life. It is very much like us when we are at crossroads in our lives and are forced to make difficult decisions. Dorothy said…Oh Auntie Em, there is no place like home. And she was right, there is no place like home because your home is where your heart is.
George Bailey, stated that it truly is a wonderful life. Many of our problems come from our vision, if our eye is unhealthy (our paradigm),our entire being is effected.
Charlie Brown Christmas
On their way to join the rest of the Peanuts gang all skating on a frozen pond, Charlie Brown confides in Linus that even though the holidays are approaching he is still feels depressed despite all the presents and cards and tree decorating. His depression and aggravation only get exacerbated by the goings-on in the neighborhood. Though his mailbox is empty of Christmas cards, he tries sarcastically to thank Violet for the card she "sent" him, though Violet knows she did no such thing.
Charlie Brown (shouting after Violet as she walks away):Don't you know sarcasm when you hear it?
Ultimately Charlie Brown visits Lucy in her psychiatric booth. On her advice, he gets involved in directing a school play about the Nativity. She also sympathizes with Charlie Brown about holiday depression, always getting "a lot of stupid toys" instead of what she really wants: real estate.
On the way to the auditorium, Charlie Brown is drawn to Snoopy, who is frantically and gleefully busy decorating his doghouse. Demanding an explanation, Snoopy hands Charlie Brown a flier about a neighborhood lights and display contest. Charlie Brown walks away in frustration at his own dog's being bitten by the commercial bug. He then gets accosted by Sally, who wants Charlie Brown to take dictation for a letter to Santa, in which she ultimately asks him (Santa) to "just send money", particularly tens and twenties, causing Charlie Brown to run away in exasperation of even his sister's commercial corruption.
Charlie Brown arrives at the rehearsals, but try as he might, he cannot seem to get control of the situation as the uncooperative kids are more interested in modernizing the play with dancing and lively music. Charlie Brown, on the other hand, is determined to not let the play become commercial by directing the traditional side of the story.
Thinking the play requires "the proper mood", Charlie Brown decides they need a Christmas tree. So Lucy takes over the crowd and dispatches Charlie Brown to get a "big, shiny aluminum tree...maybe painted pink". With Linus in tow, Charlie Brown sets off on his quest. But when they get to the tree market, Charlie Brown zeroes in on a small baby tree which, ironically as well as symbolically, is the only real tree on the lot. Linus is reluctant about Charlie Brown's decision, but Charlie Brown is convinced that decorating it will be just right for the play.
They return to the school auditorium with the tree, only to be verbally castigated by everyone, especially Lucy, about his choice of tree. Second guessing himself, Charlie Brown begins to wonder if he really knows what Christmas is about, loudly asking in despair. Linus quietly says he can tell him, and walks to center stage to make his point. Under a spotlight, Linus quotes Scripture, particularly the second chapter of the
Gospel of Luke, verses 8 through 14:
8And there were in the same country shepherds abiding in the field, keeping watch over their flock by night. 9And, lo, the angel of the Lord came upon them, and the glory of the Lord shone round about them: and they were sore afraid. 10And the angel said unto them, Fear not: for, behold, I bring you good tidings of great joy, which shall be to all people. 11For unto you is born this day in the city of David a Saviour, which is Christ the Lord. 12And this shall be a sign unto you; Ye shall find the babe wrapped in swaddling clothes, lying in a manger. 13And suddenly there was with the angel a multitude of the heavenly host praising God, and saying, 14Glory to God in the highest, and on earth peace, good will toward men.
Charlie Brown now realizes he does not have to let commercialism ruin his Christmas. (this was very signficant and still is for this simple cartoon to touch millions of lives over the years to simplistic tell the world what the true meaning of Christmas is.
With a newly found sense of inspiration, he quietly picks up the little tree and walks out of the auditorium, intending to take the tree home to decorate and show the others it will work in the play.
On the way, he stops at Snoopy's decorated doghouse, which now sports a first prize blue ribbon for winning the display contest. Letting his dog's commercialism roll off his back, Charlie Brown takes an ornament off the doghouse and hangs it on his tree, but the ornament's weight is too much for the small branch and pulls it to the ground much to Charlie Brown's shock.
Charlie Brown (seeing the ornamented branch droop to the ground):I've killed it. AUGHH! Everything I touch gets ruined! (he walks away, his head hanging in shame)
Unbeknownst to Charlie Brown, the rest of the gang, having also heard Linus' recitative, began to realize they were a little too rough on Charlie Brown and quietly followed him from the auditorium. Linus goes up to the little tree and gently props the drooping branch back to its upright position, ornament and all:
Linus:
I never thought it was such a bad little tree. (wrapping his blanket around the base of the trunk)It's not bad at all, really. Maybe it just needs a little love.
The rest of the kids grab the other decorations off of Snoopy's doghouse and add them to the tree. When they're done, even Lucy concedes to Charlie Brown's choice:
Lucy (in wonderment):Charlie Brown is a blockhead, but he did get a nice tree.
The kids then start humming the traditional Christmas carol, "Hark! The Herald Angels Sing." When Charlie Brown returns, he demands to know what is taking place. When he sees what they have done with the tree, he cannot believe his eyes, and all the kids shout:
MERRY CHRISTMAS, CHARLIE BROWN!
At this point, the kids, now with Charlie Brown, begin singing "Hark.." as the end credits roll... and the snow again begins to fall.
Themes
The story touches on the over-commercialization of Christmas, and serves to remind viewers of the true meaning of Christmas: the birth of Jesus Christ, continuing a theme explored by satirists such as Stan Freberg and Tom Lehrer during the 1950s.
A Christmas Carol
A Christmas Carol in Prose, Being a Ghost Story of Christmas (commonly known as A Christmas Carol ) is what Charles Dickens described as his "little Christmas Book and was first published on December 19, 1843 with illustrations by John Leech. The first of the author's five "Christmas books", the story was instantly successful, selling over six thousand copies in one week. Although originally written under financial duress to help Dickens to pay off a debt, the tale has become one of the most popular and enduring Christmas stories of all time.[3]
Contemporaries noted that the story's popularity played a critical role in redefining the importance of Christmas and the major sentiments associated with the holiday. A Christmas Carol was written during a time of decline in the old Christmas traditions. "If Christmas, with its ancient and hospitable customs, its social and charitable observances, were in danger of decay, this is the book that would give them a new lease", said English poet Thomas Hood.
Ebenezer Scrooge encounters "Ignorance" and "Want" in A Christmas Carol.
A Christmas Carol is a Victorian morality tale of an old and bitter miser, Ebenezer Scrooge, who undergoes a profound experience of redemption over the course of one night, which if it doesn't change his ways he will end up like his friend Jacob Marley, walking the Earth forever, being nothing but invisible and lonely. Mr. Scrooge is a financier/money-changer who has devoted his life to the accumulation of wealth. He holds anything other than money in contempt, including friendship, love and the Christmas season.
Stave I: Marley's Ghost
Chrstmas Eve, seven years to the day after the death of his business partner Jacob Marley, Ebenezer Scrooge and his downtrodden clerk Bob Cratchit are at work in Scrooge’s counting-house. Scrooge's nephew, Fred, arrives with seasonal greetings and an invitation to Christmas dinner, but Scrooge dismisses him with "Bah! Humbug!", declaring that Christmas is a fraud. Two gentlemen collecting charitable donations for the poor are likewise rebuffed by Scrooge, he insists that the poor laws and workhouses are sufficient to care for the poor, and that "If they would rather die [than go there], they had better do it, and decrease the surplus population". As he and his clerk prepare to leave, he grudgingly permits Cratchit one day's paid holiday the following day, but the morning after Christmas he must be there on time, otherwise there will be a deduction from his wages.
Scrooge returns home to his cheerless rooms in an otherwise deserted building, and a series of supernatural experiences begins. His door knocker appears to transform into Marley's face; a "locomotive hearse" seems to mount the dark stairs ahead of him; the pictures on the tiles in his fireplace transform into images of Marley's face. Finally all the bells in the house ring loudly, there is a clanking of chains in the bed and on the floor, and the ghost of Marley passes through the closed door into the room.
The ghost warns Scrooge that if he does not change his ways, he will suffer Marley's fate, but Scrooge's fate would be even worse. He will walk the earth eternally after death, invisible among his fellow men, burdened with chains, seeing the misery and suffering he could have alleviated in his life but now powerless to intervene. Marley has arranged Scrooge's only chance of redemption: three spirits will visit him on successive hours that night, and they may help change him and save him from his fate. As Marley leaves, Scrooge gets a nightmare glimpse of the tormented spectres who drift unseen among the living, and, shattered, he falls into bed.
Stave II: The First of the Three Spirits
The Ghost of Christmas Past, a strange mixture of young and old, male and female, with a light shining from the crown of its head, appears at the stroke of one. It leads Scrooge on a journey to some of his past Christmases, where events shaped his life and character. He sees his late sister Fan, who intervened to rescue him from lonely exile at boarding school, and, recalling his recent treatment of Fan's son Fred, Scrooge feels the first stirrings of regret. They revisit a merry Christmas party given by Fezziwig, Scrooge's kindly apprentice-master, and Scrooge thinks guiltily of his own behaviour toward Bob Cratchit. Finally, he is reminded how his love of money lost him the love of his life, Belle, and the happiness this cost him. Furious, Scrooge turns on the spirit, snuffs it like a candle with its cap, and finds himself crumpling up in his bed sheets and wakes up and feels remorseful.
Stave III: The Second of the Three Spirits
Scrooge wakes at the stroke of two, confused to find it is still night. After a time he rises and finds the second spirit, the Ghost of Christmas Present, in an adjoining room, on a throne made of Christmas food and drink. This spirit, a great genial man in a green coat lined with fur, takes him through the bustling streets of London on the current Christmas morning, sprinkling the essence of Christmas onto the happy populace. They observe the meagre but happy Christmas celebrations of the Cratchit family and the sweet nature of their lame son Tiny Tim, and when the Spirit foretells an early death for the child if things remain unchanged, Scrooge is distraught. He is shown what others think of him: the Cratchits toast him, but reluctantly, and "a shadow was cast over the party for a full five minutes". Scrooge's nephew and his friends gently mock his miserly behaviour at their Christmas party, but Fred maintains his uncle's potential for change, and Scrooge demonstrates a childlike enjoyment of the celebrations.
They travel far and wide, and see how even the most wretched of people mark Christmas in some way, whatever their circumstances. The Ghost, however, grows visibly older, and explains he must die that night. The Ghost tortures Scrooge. He shows Scrooge two pitiful children huddled under his robes who personify the major causes of suffering in the world, "Ignorance" and "Want", with a grim warning that the former is especially harmful. At the end of the visitation, the bell strikes twelve. The Ghost of Christmas Present vanishes and the third spirit appears to Scrooge.
Stave IV: The Last of the Three Spirits
The Ghost of Christmas Yet to Come takes the form of a grim spectre, robed in black, who does not speak and whose body is entirely hidden except for one pointing hand. This spirit frightens Scrooge more than the others, and harrows him with a vision of a future Christmas with the Cratchit family bereft of Tiny Tim. A rich miser, whose death saddens nobody and whose home and corpse have been robbed by ghoulish attendants, is revealed to be Scrooge himself: this is the fate that awaits him. Without it explicitly being said, Scrooge learns that he can avoid the future he has been shown and alter the fate of Tiny Tim, but only if he changes. Weeping, he swears to do so, and awakes to find that all three spirits have visited in just one night, and that it is Christmas morning.
Stave V: The End of It
Scrooge changes his life and reverts to the generous, kind-hearted soul he was in his youth before the death of Fan. He anonymously sends the Cratchits the biggest turkey in the butcher shop, meets the charity workers to pledge an unspecified but impressive amount of money, and spends Christmas Day with Fred and his wife.
The next day Scrooge catches his clerk arriving late and pretends to be his old miserly self, before revealing his new person to an astonished Cratchit. He assists Bob and his family, becomes an adopted uncle to Tiny Tim, and gains a reputation as a kind and generous man who embodies the spirit of Christmas in his life.
Explanation of the book's title
Originally a medieval round dance and then a word for a particular type of ballad[6], by Dickens' time the word carol had come closer to its modern meaning, being a joyful hymn specific to Christmas. Dickens takes this musical analogy further, dividing the novella into five "staves", instead of chapters.
Major themes
The story deals extensively with two of Dickens' recurrent themes, social injustice and poverty, the relationship between the two, and their causes and effects. It was written to be abrupt and forceful with its message, with a working title of "The Sledgehammer." The first edition of A Christmas Carol was illustrated by John Leech, a politically radical artist who in the cartoon "Substance and Shadow" printed earlier in 1843 had explicitly criticised artists who failed to address social issues. Dickens wrote in the wake of British government changes to the welfare system known as the Poor Laws, changes which required among other things, welfare applicants to "work" on treadmills, as Scrooge points out. Dickens asks, in effect, for people to recognise the plight of those whom the Industrial Revolution has displaced and driven into poverty, and the obligation of society to provide for them humanely. Failure to do so, the writer implies through the personification of Ignorance and Want as ghastly children, will result in an unnamed "Doom" for those who, like Scrooge, believe their wealth and status qualifies them to sit in judgment on the poor rather than to assist them.
Scrooge “embodies all the selfishness and indifference of the prosperous classes who parrot phrases about the ‘surplus population’ and think their social responsibilities fully discharged when they have paid their taxes.”
How the Grinch Stole Christmas (TV animated version)
How the Grinch Stole Christmas! is well-known picture book by Dr. Seuss and first published in 1957. It is written in rhymed verse, with illustrations by the author, and features the famous character, The Grinch. It was adapted into as a short animated film in 1966, and again into a feature film in 2000.
The Grinch, a bitter, cave-dwelling creature with a heart "two sizes too small," lives on snowy Mount Crumpit, a steep, 3,000-foot (910 m) high mountain just north of Whoville, home of the merry and warm-hearted Whos. His only companion is Max, his faithful dog. From his perch high atop Mount Crumpit, the Grinch can hear the noisy Christmas festivities that take place in Whoville. (The Whos of this book may or may not be the minuscule Whos of Horton Hears a Who; In the Broadway musical Seussical, the Grinch's Whos and Horton's are one and the same, the Grinch being microscopic and living on the dust speck as well. In the live-action movie, Whoville is located in a snowflake.) Envious of the Whos' happiness, he makes plans to descend on the town and, by means of burglary, deprive them of their Christmas presents and decorations and thus "prevent Christmas from coming". However, he learns in the end that despite his success in stealing all the Christmas presents and decorations from the Whos, Christmas comes just the same.
He then realizes that Christmas is more than just gifts and presents. His heart grows three sizes larger, he returns all the presents and trimmings, and is warmly welcomed into the community of the Whos.
All four movies shows how the main characters have ephiphanies about there life in this season of miracles. What is your epiphany?
Don’t just sit there, blog something.
I love you all! Yve
Thursday, December 4, 2008
We are the Word Made Flesh
I am going to share some thoughts deposited by the Holy Spirit gaveplace before us like a banquet fit for queens and kings. Now, this isrich and so I want your "careful attention" and your feedback.
Pr. Jon Scott shared about the stretching that goes forward in childbirth in the natural. And he stated that "stretching is necessary forenlargement". Now that will preach. Some of my fellow/fella members ofCITN know that Pr. Debye has spoken about the difference between stressand stretch. Instead of saying we are stressed out, we need to say thatGod is stretching us.
*Isaiah 54:2
*Enlarge the place of thy tent, and let them *stretch* forth the curtainsof thine habitations: spare not, lengthen thy cords, and strengthen thystakes; translated from King James Version.
We are the redeemed of the Lord and we have the say so, therefore whatwas talked about was how traditional denomonational churches (ove r20,000 religions world wide) are drying up and they are desiring thetrue love being preached instead as usual religious rhetoric.
Power of our words
Bishop mentioned that we really can have what we say and that our lifeis a direct result over words we have spoken over our lives.
Bishop read from John 1 from John in the Now:
Chapter 1
In the beginning, or in the eternal "now" before the creation of time,was the Word...the Logos...the Christ. And that timeless Christ/Word existed with God and, in fact, that Word actually was God, Himself.
- He was originally omnipresent with God.
- All things int he realm of space andtime came into existence through the specific expression of that "now" Word, and without the expression of that Word was not even one thingmade tht has come into being int he material universe.
- In His being washoused the source of life, and that life was the light that illuminatesall of humanity.
- And the light shines on in the darkness, for darknesshas never been able to absorbed the light, nor will it ever be able to overpower it or put it out.
- There was a man who was God-sent, and hisname was John.
- John came to bear witness of the light that everyone, everywhere, might believe in it through him.
- He was not the Light, but came that he might verify the truth that is in the Light.
- And there itwas, the true Light, coming in perfection to illuminate every individual on the planet.
- He came into the world that He, Himself, had created, buthat same world did not recognize Him, initially.
- He appeared to thatwhich already belonged to Him; He entered into His own domain and creation. But that creation did not welcome or receive Him.
- Yet, to allwho did receive and welcome Him by the believing in the power of Hisname, He granted the authority to walk in the full reality that theywere the children of God...
Here is where I believe Bishop stopped reading to make his point which was if we could sum up anyone's life itwould be in two or three sentences.
He went on to say that each one has a thesis or a theme to our life.
For example; They may say of me Yvonne is love (I pray they can say that at the end of my course) or she communicated the oracles of God in a concise accurate way or she was an awesome communicator who loved Godand people, for example.
Therefore because we are the children of God we have been granted the authority to walk in the full reality that they were the children of God.
Bishop went on to explain that because of the authority and dominionwe have WE ARE GOING TO HAVE A MANIFESTATION OF WHAT WE SAY!
In this discourse Bishop Swilley explained that because we see through our eyes of authority and our eyes of dominion/the Thing changes. Is that an awesome thought or what.
Over the next couple of days or week, I will post some of thoughts that the H.S. and Bishop Jim Earl Swilley shared with the mature body, but I can't do this without you. I need your input.
DON'T JUST SIT THERE, BLOG SOMETHING (lol)
LOVE, YVE
Saturday, November 29, 2008
The Thanksgiving Joy of Harvest ..
Saturday, November 29, 2008 | • Print Article • Leave a Comment | ||
The Thanksgiving Joy of Harvest Dr. Jack Hayford The term "HARVEST" appears frequently in Scripture, as the people of the Bible lived in an agricultural society. At Thanksgiving, the imagery of harvest frames our own nation's history, inspiring us with things reflective of Early America. Yet Thanksgiving is about more than that. It is a call for us to celebrate not only God's provision and restoration, but also His promise and presence--even amid delays, restricting circumstances, or tears. Thanksgiving also calls us to constancy, for the journey to harvest will usually be harder than we think, longer than we expect, and more rewarding than we can ever imagine. Scripture says, "Though weeping may endure for a night, joy comes in the morning" (Ps. 30:5). For many of us, it's been a demanding year. But as you and I come to Thanksgiving, the joy of celebration makes everything else incidental. When we finally see the harvest, it no longer matters how tough things were, how much time they took, or how heavy the pressures were. What's important is that we have answered the call to faith. There is joy in that call. The Bible likens this joy after travail to a woman who has delivered a child. After the difficult months of pregnancy and the pain of labor, the baby is born, and what it took for that to happen doesn't matter anymore. There is only the songs of rejoicing. These songs are a celebration of God's purpose through and beyond trial. It reminds us that triumph ultimately outlasts trial. And the triumph is en route, folks. Even if we can't see what God is doing, there's evidence in our hearts that He will be faithful. This song is an invitation to constancy of focus--to go forth with sacks of seed, not just one. So today, ask yourself: What are you sowing? Even with the wind in my face, the sand in my eyes, the weeping from circumstance or adversity, we must keep sowing the promise of God. Not as one who is mindless or superstitious, but as one who knows that the God who makes a promise to His people never forgets it. God has done more things of love and goodness in our lives than any of us can imagine. When you face the thing that hasn't happened yet, keep sowing. With a heart of Thanksgiving, find joy in the harvest to come. Do you have joy today with thanksgiving from what God has done this year? Silent Night HistoryThe carol was first performed in the Nicola-Kirche (Church of St. Nicholas) in Oberndorf, Austria on December 24, 1818. Mohr had composed the words much earlier, in 1816, but on Christmas Eve brought them to Gruber and asked him to compose a melody and guitar accompaniment for the church service[1]. In his written account regarding the composition of the carol, Gruber gives no mention of the specific inspiration for creating the song. According to the song's history provided by Austria's Silent Night Society, one supposition is that the church organ was no longer working so that Mohr and Gruber therefore created a song for accompaniment by guitar. Silent Night historian, Renate Ebeling-Winkler says that the first mention of a broken organ was in a book published in the U.S. in 1909. Some historians believe that Mohr simply wanted a new Christmas carol that he could play on his guitar. The Silent Night Society says that there are "many romantic stories and legends" that add their own anecdotal details to the known facts. The Nicola-Kirche was demolished in the early 1900s due to flood damage and because the town's centre was moved up the river to a safer location, with a new church being built there close to the new bridge. A tiny chapel, called the "Stille-Nacht-Gedächtniskapelle" (Silent Night Memorial Chapel), was built in the place of the demolished church and a nearby house was converted into a museum, attracting tourists from all over the world, not only but primarily in December. The original manuscript has been lost, however a manuscript was discovered in 1995 in Mohr's handwriting and dated by researchers at ca. 1820. It shows that Mohr wrote the words in 1816 when he was assigned to a pilgrim church in Mariapfarr, Austria, and shows that the music was composed by Gruber in 1818. This is the earliest manuscript that exists and the only one in Mohr's handwriting. Gruber's composition was influenced by the musical tradition of his rural domicile. The melody of "Silent Night" bears resemblance to aspects of Austrian folk music and yodelling. Another popular story claims that the carol, once performed, was promptly forgotten until an organ repairman found the manuscript in 1825 and revived it. However, Gruber published various arrangements of it throughout his lifetime and we now have the Mohr arrangement (ca. 1820) that is kept at the Carolino Augusteum Museum in Salzburg. It is believed that the carol has been translated into over 300 languages and dialects around the world, and it is one of the most popular carols of all time. It is sometimes sung without musical accompaniment. Although written by Catholics, it is given special significance in Lutheranism. The song was sung simultaneously in English and German by troops during the Christmas truce[2] of 1914, as it was one of the few carols that soldiers on both sides of the front line knew. The song has been successfully recorded by over 300 artists, particularly successful by Stevie Nicks, Bing Crosby and Mahalia Jackson, and an instrumental version by Mannheim Steamroller. In 1943 the Austrian exile Hertha Pauli wrote the book "Silent Night. A Story of a Song", in which she explained to American children the origin of the song. The book was illustrated by Fritz Kredel and published by Alfred a. Knopf. [3] A 1988 dramatised television documentary called Silent Mouse tells the story of the creation of the carol from a mouse's point of view. It featured Lynn Redgrave as narrator, and Gregor Fisher in one of the leading roles. |
Thursday, November 27, 2008
Monday, November 24, 2008
Jesus said, Get behind me Satan and PUSH
Bishop's 7 points on November 23, 2008 are;
1)Sow in famine
2)See the big picture
3)Speak the word only
4)Sacrifice with Joy
5)Say what you really believe. God says if you establish a thing, He will decree it
6)Stay connected
7)Settle into your destiny/Acts 17:28 - In Him we move breath and have our being in Him.
Today I was reading an excerpt from My Utmost for His Highest, by Oswald Chambers and found the following article'
"Whether therefore ye eat, or drink, or whatsoever ye do, do all to the glory of God." 1 Corinthians 10:31 Beware of allowing yourself to think that the shallow concerns of life are not ordained of God; they are as much of God as the profound. It is not your devotion to God that makes you refuse to be shallow, but your wish to impress other people with the fact that you are not shallow, which is a sure sign that you are a spiritual prig. Be careful of the production of contempt in yourself, it always comes along this line, and causes you to go about as a walking rebuke to other people because they are more shallow than you are. Beware of posing as a profound person; God became a Baby. To be shallow is not a sign of being wicked, nor is shallowness a sign that there are no deeps: the ocean has a shore. The shallow amenities of life, eating and drinking, walking and talking, are all ordained by God. These are the things in which Our Lord lived. He lived in them as the Son of God, and He said that "the disciple is not above his Master." Our safeguard is in the shallow things. We have to live the surface common-sense life in a common-sense way; when the deeper things come, God gives them to us apart from the shallow concerns. Never show the deeps to anyone but God. We are so abominably serious, so desperately interested in our own characters, that we refuse to behave like Christians in the shallow concerns of life. Determinedly take no one seriously but God, and the first person you find you have to leave severely alone as being the greatest fraud you have ever known, is yourself. |